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	<title>Thero Makepe</title>
	<link>https://theromakepe.com</link>
	<description>Thero Makepe</description>
	<pubDate>Fri, 05 Sep 2025 09:32:49 +0000</pubDate>
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		<title>Information</title>
				
		<link>https://theromakepe.com/Information</link>

		<pubDate>Wed, 15 Sep 2021 13:46:31 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

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Bio

Thero Makepe is an artist and photographer born and raised in Gaborone, Botswana, working between Cape Town, Johannesburg, and Gaborone. His practice is informed by past and present narratives related to his upbringing and lived experiences in Botswana and South Africa.



Makepe’s work is often resolved in the form of long-form projects that contain existing public and private archival materials, such as family photos, documentary screenshots, and newspaper articles. His approach to photography also employs a variety of photographic styles, including staged portraiture, documentary photography and re-enactments.



In 2019, he completed his Bachelor of Arts in Fine Arts with distinction, majoring in photography at the Michaelis School of Fine Arts at the University of Cape Town. In 2023, he was awarded the Foam Talent Award 2024-2025, and in 2024, he received the Prince Claus Seed Award. In 2025, he was selected to be a participant in the World Press Photo Joop Swart Masterclass. Makepe’s work has been exhibited at the Foam Museum in Amsterdam and the Deutsche Börse Photography Foundation in Frankfurt. Public collections featuring his work include the University of Cape Town Works of Art Collection and the University of Pretoria Art Collection.



He is also a founding member of the Botswana Pavilion, a collective of young artists from Botswana dedicated to advancing Botswana’s creative development and artistic heritage.
 

Contact
theromakepe@gmail.com
	Solo Exhibitions
We Didn’t Choose to be Born Here, Lemkus Gallery, Cape Town, 2025We Didn’t Choose to be Born Here, Format25 International Photography Festival, Museum of Making, Derby, UK, 2025


It’s Not Going to Get Better, Vela Projects, Cape Town, 2024
Group ExhibitionsSYMPTOM: Invisible Forces, Bode Gallery, Cape Town, 2025
2025 ROSL Photography Award, London, UK, 2025
Long Time No See, FOTODOKS – the festival for contemporary documentary photography, Architekturgalerie München,&#38;nbsp;Munich, Germany, 2025
Home, A Group Exhibition by Artists4Equity


	
		
		
	
	
		
			
				
					
						In support of Reclaim The City,&#38;nbsp;Wolff Architects, Cape Town, South Africa, 2025
Thresholds, Southern Guild, Cape Town, South Africa, 2025
Belfast Photo Festival 2025, Belfast, UK, 2025
Foam Talent 2024, Deutsche Börse Photography Foundation,&#38;nbsp;Frankfurt/Eschborn, 2025&#38;nbsp;Grammars: A Group Exhibition, Lemkus Gallery, Cape Town, 2024
 Process Projected: Tender Photo, What Is Happening Here Gallery, Amsterdam, 2024
The Purpose is Discourse, Curators’ Kiki, Stevenson, Johannesburg, 2024
Foam Talent 2024-2025, Foam Museum, Amsterdam, 2024INDEX &#124; The Orchid and The Wasp: Thin Lines of Becoming, Latitudes Art Fair, Johannesburg, 2024
Becoming Visible &#124; Online Image Gallery, Autograph, 2024

Yo O Sa Leleng, Botswana National Museum, Gaborone, 2023
Good Neighbours, NIROX Sculpture Park, Johannesburg, 2022
The Botswana Pavilion: Maš(w)i a Ditoro (tsa Rona),&#38;nbsp;Sakhile&#38;amp;Me, Frankfurt, 2022
Unfinished Camp (with the Botswana Pavilion), The Shed NY &#38;amp; Art Basel, 2021Joe Prussian presents PREMISE, The Box (Old Atterbury St.), Cape Town, 2021The Botswana Pavilion - Collective Ties, Virtual Exhibition, 2020CONTESTED SPACE &#124; WATER IS LAND IS AIR, Virtual Exhibition for Latitudes Art Fair, 2020a_part: Quarantine Collabortion, Virtual Exhibition, 2020 Michaelis Gradshow, Michaelis Galleries, Cape Town, 2019The Botswana Pavilion - Subjective Nationhood, Botswana National Gallery, Gaborone, 2019The Room, BG Gallery, Santa Monica, CA, 2019The Botswana Pavilion – No Return, Gallery Momo, Cape Town, 2019Hue and Hue – group pop-up exhibition, Monolith Studios, 140 Canterbury St., Cape Town, 2019Publications
Foam Magazine #65: Talent
GIDA Journal Vol. IIIBlurring the Lines 2020
Collections The University of Cape Town Works of Art Collection
The University of Pretoria Art CollectionGrants and Awards
ROSL Photography Award (Runner-Up), 2025
PhMuseum Photobook Award, 2025World Press Photo Joop Swart Masterclass, 2025British Journal of Photography Article: FORMAT25 Award Winner, 2025
Prince Claus Seed Award, 2024 

Der Greif Guest Room Scholarship: Damarice Amao &#38;amp; Matthias Pfaller, 2023

FOAM Talent, 2024-2025

The Claire and Edoardo Villa Will Trust, 2022

Blurring The Lines (Finalist), Paris College of Art, 2020
The Tierney Fellowship Award, 2019

Simon Gerson Prize, 2019
ResidenciesThe MEP residency – Gervanne Collection + Matthias Leridon – Cité internationale des arts, 2023
Articles &#38;amp; InterviewsAesthetica MagazineApertureArtthrobArtthrobBetween 10 And 5BooooooomBooooooomBritish Journal of Photography
British Journal of Photography
Contemporary Archive ProjectContemporary And

Creative Review
Der GreifGlobal Art Daily
i-D
Photoworkssee-zeen 
theSystem 

Tender PhotoTique

Tombe Magazine
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		<title>Installation Views</title>
				
		<link>https://theromakepe.com/Installation-Views</link>

		<pubDate>Fri, 05 Sep 2025 09:32:49 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

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&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/71dbfcc10f3e138056e49e6a423d3b52a8dda1324d162dc873fa011e069e1440/We-Didn-t-Choose-to-be-Born-Here--Belfast-Photo-Festival--Belfast-2025-3.JPG" data-mid="237884929" border="0" alt="Belfast Photo Festival 2025, Belfast, UK, 2025" data-caption="Belfast Photo Festival 2025, Belfast, UK, 2025" src="https://freight.cargo.site/w/1000/i/71dbfcc10f3e138056e49e6a423d3b52a8dda1324d162dc873fa011e069e1440/We-Didn-t-Choose-to-be-Born-Here--Belfast-Photo-Festival--Belfast-2025-3.JPG" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/7a567c7f2be3a0a2031210c1f480fffe938367298635eced4e7e45568c5d39d3/We-Didn-t-Choose-to-be-Born-Here--Belfast-Photo-Festival--Belfast-2025-4.JPG" data-mid="237884928" border="0" alt="Belfast Photo Festival 2025, Belfast, UK, 2025" data-caption="Belfast Photo Festival 2025, Belfast, UK, 2025" src="https://freight.cargo.site/w/1000/i/7a567c7f2be3a0a2031210c1f480fffe938367298635eced4e7e45568c5d39d3/We-Didn-t-Choose-to-be-Born-Here--Belfast-Photo-Festival--Belfast-2025-4.JPG" /&#62;
&#60;img width="2500" height="1666" width_o="2500" height_o="1666" data-src="https://freight.cargo.site/t/original/i/2aebf8b2d98e42b6b96acc9579bbc8d86f59a6e54f4ab9a7a9232884a69bc3ce/We-Didn-t-Choose-to-be-Born-Here--Belfast-Photo-Festival--Belfast-2025-5.JPG" data-mid="237884930" border="0" alt="Belfast Photo Festival 2025, Belfast, UK, 2025" data-caption="Belfast Photo Festival 2025, Belfast, UK, 2025" src="https://freight.cargo.site/w/1000/i/2aebf8b2d98e42b6b96acc9579bbc8d86f59a6e54f4ab9a7a9232884a69bc3ce/We-Didn-t-Choose-to-be-Born-Here--Belfast-Photo-Festival--Belfast-2025-5.JPG" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/23ef24a75ab4cd23cc5f8870662adc3550b7ecfa07eb6961b7df80a3cf2c9d02/We-Didn-t-Choose-to-be-Born-Here--Belfast-Photo-Festival--Belfast-2025-6.JPG" data-mid="237884931" border="0" alt="Belfast Photo Festival 2025, Belfast, UK, 2025" data-caption="Belfast Photo Festival 2025, Belfast, UK, 2025" src="https://freight.cargo.site/w/1000/i/23ef24a75ab4cd23cc5f8870662adc3550b7ecfa07eb6961b7df80a3cf2c9d02/We-Didn-t-Choose-to-be-Born-Here--Belfast-Photo-Festival--Belfast-2025-6.JPG" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>It's Not Going to Get Better</title>
				
		<link>https://theromakepe.com/It-s-Not-Going-to-Get-Better</link>

		<pubDate>Tue, 10 Dec 2024 15:49:14 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

		<guid isPermaLink="true">https://theromakepe.com/It-s-Not-Going-to-Get-Better</guid>

		<description>

&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/8913866cf7d2ec1b340d6b4ed9b8f46de904d67ed348109033e1ad5f01dff112/Insurance--2024.JPG" data-mid="223168653" border="0" data-scale="55" alt="Insurance, 2024" data-caption="Insurance, 2024" src="https://freight.cargo.site/w/1000/i/8913866cf7d2ec1b340d6b4ed9b8f46de904d67ed348109033e1ad5f01dff112/Insurance--2024.JPG" /&#62;
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/f62870ef8070615a0ca3a8e5064af0cb850103c66c680fc4714f567152b7a516/Lerato--2024.JPG" data-mid="223168654" border="0" alt="Lerato, 2024" data-caption="Lerato, 2024" src="https://freight.cargo.site/w/1000/i/f62870ef8070615a0ca3a8e5064af0cb850103c66c680fc4714f567152b7a516/Lerato--2024.JPG" /&#62;
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/e5d22be196ace934e2ac07f014ed02d1e0db8ef4158b56c175e224d2485b6c98/Mokgokolosa--2024.JPG" data-mid="223168656" border="0" alt="Mokgakolosa, 2024" data-caption="Mokgakolosa, 2024" src="https://freight.cargo.site/w/1000/i/e5d22be196ace934e2ac07f014ed02d1e0db8ef4158b56c175e224d2485b6c98/Mokgokolosa--2024.JPG" /&#62;
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/a6fea5f05a40329bd8fbc2e6b8574432dd8b48a49575a11860e7b4f93971bf24/Broken-Hearts--2024.JPG" data-mid="223168650" border="0" alt="Broken Hearts, 2024" data-caption="Broken Hearts, 2024" src="https://freight.cargo.site/w/1000/i/a6fea5f05a40329bd8fbc2e6b8574432dd8b48a49575a11860e7b4f93971bf24/Broken-Hearts--2024.JPG" /&#62;
&#60;img width="1127" height="1500" width_o="1127" height_o="1500" data-src="https://freight.cargo.site/t/original/i/868bd166ae3a3d690c9b930bfffb6589807e438c8b9a068a2e7f252906c9d134/Shattered-Dreams--2023.JPG" data-mid="223168659" border="0" alt="Shattered Dreams, 2024" data-caption="Shattered Dreams, 2024" src="https://freight.cargo.site/w/1000/i/868bd166ae3a3d690c9b930bfffb6589807e438c8b9a068a2e7f252906c9d134/Shattered-Dreams--2023.JPG" /&#62;
&#60;img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5333e64402f6ac292e7e73af476bd26c89562a87b909ef9c5b655b5156344b87/Modimo-a-mo-Tlamele--2024.JPG" data-mid="223168655" border="0" alt="Modimo a mo Tlamele, 2024" data-caption="Modimo a mo Tlamele, 2024" src="https://freight.cargo.site/w/1000/i/5333e64402f6ac292e7e73af476bd26c89562a87b909ef9c5b655b5156344b87/Modimo-a-mo-Tlamele--2024.JPG" /&#62;
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/8c86cfb2820a144bfc996ebe2d94b5eb4ecd1d2dd1e149b70a463980b6a052e5/The-Place-that-Dried-Up--2023.JPG" data-mid="223168660" border="0" alt="The Place That Dried Up, 2023" data-caption="The Place That Dried Up, 2023" src="https://freight.cargo.site/w/1000/i/8c86cfb2820a144bfc996ebe2d94b5eb4ecd1d2dd1e149b70a463980b6a052e5/The-Place-that-Dried-Up--2023.JPG" /&#62;
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/b1992bd60585d807a2df9a29bf456c43272bad70e8d30e4e2b4fb109b3def92f/Civil-Obedience--2024.JPG" data-mid="223168651" border="0" alt="Civil Obedience, 2024" data-caption="Civil Obedience, 2024" src="https://freight.cargo.site/w/1000/i/b1992bd60585d807a2df9a29bf456c43272bad70e8d30e4e2b4fb109b3def92f/Civil-Obedience--2024.JPG" /&#62;
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/15a5e90ff40cb31fdfd90e3349b415f66263f10d54588cc4fda68027ea9c9b57/Re-Mmogo-Akere--2024.JPG" data-mid="223168658" border="0" alt="Re Mmogo Akere?, 2024" data-caption="Re Mmogo Akere?, 2024" src="https://freight.cargo.site/w/1000/i/15a5e90ff40cb31fdfd90e3349b415f66263f10d54588cc4fda68027ea9c9b57/Re-Mmogo-Akere--2024.JPG" /&#62;
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/55744fb1f214c6ffdfff81de5d836d6ff64fff39645b3d962f24755d1f842357/Moral-Compass--2024.JPG" data-mid="223168657" border="0" alt="Moral Compass, 2024" data-caption="Moral Compass, 2024" src="https://freight.cargo.site/w/1000/i/55744fb1f214c6ffdfff81de5d836d6ff64fff39645b3d962f24755d1f842357/Moral-Compass--2024.JPG" /&#62;

It’s Not Going to Get Better (2024)


	This body of work explores themes of nihilism, classism, and existentialism in my city of birth, Gaborone. I created this project in the lead-up to the 2024 Botswana general elections, which were characterized by youth angst and disillusionment with the current state of the economy and civil society in Botswana, which has been marred by corruption, economic inequality, and social exclusion. 
I aimed to create a series of staged tableaux, landscapes, and still-life images that illustrate the everyday social dread and marginalization experienced by Batswana. My photographic work is collaborative, involving my family and close friends who share their experiences, stories, and memories with me. As an artist, I interpret these narratives through my lens. While some images are highly staged or fictional, others are grounded in reality, featuring people I know personally in their everyday situations. In both instances, the subjects of my images serve as conduits for broader social contexts in Botswana, reflecting issues related to social class, gender, and age. Throughout this series of images, I aimed to create counter-propaganda that challenges the mainstream narrative of Botswana as a highly stable, democratic, and economically prosperous nation.
The title of this project suggests that circumstances are unlikely to improve. In my visual work, I don’t aim to provide solutions; instead, I ask why things aren’t getting better, who is affected by this stagnation, and how those individuals cope with their circumstances. Ultimately, the way forward remains unclear; it is a mystery, and that ambiguity is central to my work.
During pre-colonial Africa and even during the liberation struggles on the continent, people organized around collective goals. However, that sense of unity seems to have diminished. Today, issues are more individualized, leading to greater isolation and an increase in nihilism. I use duality as a tool to illustrate this crisis of individuality and class disparity. In my work, the plight of working-class individuals trapped in hopeless situations is contrasted with that of aristocrats, who, despite having everything, stand atop their balconies—and above others—experiencing a different kind of emptiness.&#38;nbsp;


	
Interviews, Articles and Exhibitions:
Aperture
Centre for African Studiessee-zeen Issue #19


Vela Projects



&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/be1ae6bffc111476c7f66312874475fd696056fe94369973fefe6532ef68e282/677916d72ceb47990f82ef2c_Vela-Projects---Thero-Makape_-Installs_LR-1.jpg" data-mid="243402834" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/be1ae6bffc111476c7f66312874475fd696056fe94369973fefe6532ef68e282/677916d72ceb47990f82ef2c_Vela-Projects---Thero-Makape_-Installs_LR-1.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/475b9d855399b08275e151e401e6b526c530b0b591305bbdd7fdaae64494243a/677916d7201503e26ffd9d9e_Vela-Projects---Thero-Makape_-Installs_LR-8.jpg" data-mid="243402828" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/475b9d855399b08275e151e401e6b526c530b0b591305bbdd7fdaae64494243a/677916d7201503e26ffd9d9e_Vela-Projects---Thero-Makape_-Installs_LR-8.jpg" /&#62;
&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/0f9faba6e192201730c5982aa5c096c1ef6ea86457db894e8a63ee0a10daf8b9/677916d7c6fdc72c7e605543_Vela-Projects---Thero-Makape_-Installs_LR-4.jpg" data-mid="243402836" border="0"  src="https://freight.cargo.site/w/1000/i/0f9faba6e192201730c5982aa5c096c1ef6ea86457db894e8a63ee0a10daf8b9/677916d7c6fdc72c7e605543_Vela-Projects---Thero-Makape_-Installs_LR-4.jpg" /&#62;
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/637f178016d1dbc89abd03b0104f90ff8e14f9175e183729a309cca5e9cbac60/676579a4b47f04f4dfe7c750_Vela-Projects---Thero-Makape_-Installs_LR-3-p-800.jpg" data-mid="243402838" border="0"  src="https://freight.cargo.site/w/800/i/637f178016d1dbc89abd03b0104f90ff8e14f9175e183729a309cca5e9cbac60/676579a4b47f04f4dfe7c750_Vela-Projects---Thero-Makape_-Installs_LR-3-p-800.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e414c8ad6a51becdcf2266f3a25badae2f1c28f49d4452cdd29018c7f5411d98/6765861ed2902f9465ae93c6_Vela-Projects---Thero-Makape_-Installs_LR-2.jpg" data-mid="243402839" border="0"  src="https://freight.cargo.site/w/1000/i/e414c8ad6a51becdcf2266f3a25badae2f1c28f49d4452cdd29018c7f5411d98/6765861ed2902f9465ae93c6_Vela-Projects---Thero-Makape_-Installs_LR-2.jpg" /&#62;
Vela Projects, Cape Town, 2024
</description>
		
	</item>
		
		
	<item>
		<title>The Powers that Be, Vol. II</title>
				
		<link>https://theromakepe.com/The-Powers-that-Be-Vol-II</link>

		<pubDate>Tue, 31 Oct 2023 15:43:35 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

		<guid isPermaLink="true">https://theromakepe.com/The-Powers-that-Be-Vol-II</guid>

		<description>The Powers that Be (2022 - Ongoing)
Vol. II : Paradis En Enfer

	
		
		
	
	
		
			
				
					
Since October 2022, I have been working on a new body of work titled “The Powers that Be.” This phrase has constantly been present in my life, often
accompanied by frustration and hopelessness. I want to explore what this phrase means for different people in different parts of the world and, in turn,
how these people relate to me.
The second volume is titled “Paradis En Enfer”. In February 2023, I was selected as the second recipient of the MEP - Maison Européenne de la
Photographie – Collection Gervanne + Matthias Leridon – Cité internationale des arts residency. During my residency, I wanted to develop this work
further by shifting my focus to the urban landscape in a big city like Paris. Specifically, I was interested in how the geography of the urban landscape
here affects people’s psychology. Very early in my time in Paris, someone shared with me the quote, “France est un paradis peuplé de gens qui se
croient en enfer/ France is a paradise populated by people who think they are in hell” by Sylvain Tesson. This concept of a “paradise in hell” is
something I thought about constantly as I navigated different spaces in Paris.

&#60;img width="1503" height="2000" width_o="1503" height_o="2000" data-src="https://freight.cargo.site/t/original/i/76dff80bd58fc6a1c4353497cc7255b1936691106e2750a29f034ff0a56c7ecd/Untitled-Bahumi.jpg" data-mid="195443262" border="0"  src="https://freight.cargo.site/w/1000/i/76dff80bd58fc6a1c4353497cc7255b1936691106e2750a29f034ff0a56c7ecd/Untitled-Bahumi.jpg" /&#62;
&#60;img width="1503" height="2000" width_o="1503" height_o="2000" data-src="https://freight.cargo.site/t/original/i/eb5756b27ee22cbff38b4d70a52352c3f8cf737e4b95ae0dbd9295b209b19b22/Untitled-Amandine.jpg" data-mid="195443261" border="0"  src="https://freight.cargo.site/w/1000/i/eb5756b27ee22cbff38b4d70a52352c3f8cf737e4b95ae0dbd9295b209b19b22/Untitled-Amandine.jpg" /&#62;
&#60;img width="1503" height="2000" width_o="1503" height_o="2000" data-src="https://freight.cargo.site/t/original/i/06d68a4f0146feeb6cbb3354fe62faf160b4a236859efc60c851b6e6d427a86c/Untitled-Bouffer-Les-Riches.jpg" data-mid="195443263" border="0"  src="https://freight.cargo.site/w/1000/i/06d68a4f0146feeb6cbb3354fe62faf160b4a236859efc60c851b6e6d427a86c/Untitled-Bouffer-Les-Riches.jpg" /&#62;
&#60;img width="1503" height="2000" width_o="1503" height_o="2000" data-src="https://freight.cargo.site/t/original/i/38b6518da649e1d89390b7299f9b4e8fe166e6e411077981ee9f396a58b9f15d/Untitled-Paris-En-Feu.jpg" data-mid="195443291" border="0"  src="https://freight.cargo.site/w/1000/i/38b6518da649e1d89390b7299f9b4e8fe166e6e411077981ee9f396a58b9f15d/Untitled-Paris-En-Feu.jpg" /&#62;
&#60;img width="1503" height="2000" width_o="1503" height_o="2000" data-src="https://freight.cargo.site/t/original/i/399e9a3e16c6c512f6f855b8d1d19d5d0a987ec85862771e42984d3521825e08/Untitled-Chateau-Rouge--III.jpg" data-mid="195443265" border="0"  src="https://freight.cargo.site/w/1000/i/399e9a3e16c6c512f6f855b8d1d19d5d0a987ec85862771e42984d3521825e08/Untitled-Chateau-Rouge--III.jpg" /&#62;
&#60;img width="4160" height="5536" width_o="4160" height_o="5536" data-src="https://freight.cargo.site/t/original/i/3e35d9fb84a05ea61e23cfe6ddf500dd0cc8c8227d5225dbac65cf85d87e7c4d/Untitled-Decapitation.jpg" data-mid="195443286" border="0"  src="https://freight.cargo.site/w/1000/i/3e35d9fb84a05ea61e23cfe6ddf500dd0cc8c8227d5225dbac65cf85d87e7c4d/Untitled-Decapitation.jpg" /&#62;
&#60;img width="1503" height="2000" width_o="1503" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4131c9d09d34501d1b866be1334da4b38b41875c2315df25d215425ef3aaf3ae/-Untitled-Merveille.jpg" data-mid="195443260" border="0"  src="https://freight.cargo.site/w/1000/i/4131c9d09d34501d1b866be1334da4b38b41875c2315df25d215425ef3aaf3ae/-Untitled-Merveille.jpg" /&#62;
&#60;img width="1503" height="2000" width_o="1503" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6aa126e418d81bd0242f4362168a4a536f3ffd7f7cdb68e3c618f37fe1c0a11e/Untitled-Chateau-Rouge--II.jpg" data-mid="195443264" border="0"  src="https://freight.cargo.site/w/1000/i/6aa126e418d81bd0242f4362168a4a536f3ffd7f7cdb68e3c618f37fe1c0a11e/Untitled-Chateau-Rouge--II.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>The Powers that Be, Vol. I</title>
				
		<link>https://theromakepe.com/The-Powers-that-Be-Vol-I</link>

		<pubDate>Tue, 31 Oct 2023 15:33:17 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

		<guid isPermaLink="true">https://theromakepe.com/The-Powers-that-Be-Vol-I</guid>

		<description>The Powers that Be (2022 - Ongoing)
Vol. I : 

	
		
		
	
	
		
			
				
					Basireletse Ba Noka &#38;amp; The Land of Honey
Since October 2022, I have been working on a new body of work titled “The Powers that Be.” This phrase has constantly been present in my life, often
accompanied by frustration and hopelessness. I want to explore what this phrase means for different people in different parts of the world and, in turn,
how these people relate to me.

					
The first volume is titled, “Basireletse Ba Noka (The River Protectors) &#38;amp; The Land of Honey”. I took these images during “Whispers of the Wilderness”,
the 2022 edition of Invisible Borders, a trans-African road trip. This road trip gave me my first
opportunity to travel to the Okavango Delta in Botswana and Namibia. The images in this first volume are a result of a deep exploration of the different
landscapes encountered during the trip, as well as the people who inhabit them. The aim was to uncover the undercurrents of local histories and
experiences. However, the distance between myself and the locals was a constant challenge due to the cloud of tourism and socioeconomic privilege.
To bridge this gap, I had to interrogate myself and establish a connection with the locals. This involved being open, vulnerable, and honest about my
personal background, upbringing, and family.

				
			
		
	



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</description>
		
	</item>
		
		
	<item>
		<title>We Didn't Choose to be Born Here</title>
				
		<link>https://theromakepe.com/We-Didn-t-Choose-to-be-Born-Here</link>

		<pubDate>Tue, 31 Oct 2023 15:09:36 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

		<guid isPermaLink="true">https://theromakepe.com/We-Didn-t-Choose-to-be-Born-Here</guid>

		<description>We Didn't Choose to be Born Here (2020 - Ongoing)


	This body of work is an exploration of Botswana and South Africa’s socio-political fabric through a personal lens. Blending staged portraiture, documentary images and re-enactments, I weave personal family stories with national history.
These images are part of a photobook (currently in development) that addresses the history of musicality and activism in my family lineage.

In 1958, my grandfather, Hippolytus Mothopeng, fled South Africa to escape racist Apartheid law. He went to Botswana, a far more peaceful country under British protection that eventually achieved independence in 1966. He worked as a town clerk in Francistown and Gaborone and as a hobbyist jazz musician.
In contrast, my grandfather’s uncle, Zephaniah Mothopeng, a teacher by profession, became an activist and joined the Pan-African Congress of Azania (PAC), eventually becoming the president of this political party. As a prominent leader of the struggle against Apartheid, my great-uncle Zephania Mothopeng served two separate jail sentences on Robben Island, the latter in 1979 for threatening to overthrow the government, for which he was sentenced to 15 years.
The title of the project, “We Didn’t Choose to be Born Here”, is a phrase explored in the minds of different family members during crises, separation, and ennui. In my photobook, I also write about my own experiences with activism during the #FeesMustFall protests that took place at the University of Cape Town in 2016, fighting for free, decolonized education across all South African universities.
Using various photographic languages, I have attempted to construct a non-linear narrative that shows my maternal family’s lasting kindredship despite all the effects of politics, resistance, history, migration, loss and separation they have endured for over half a century. Despite all these adversities, I also want the viewer or audience to take away a sense of hope, celebration, and triumphant accomplishment.
	
Interviews, Articles and Exhibitions:
9th SIPF Photobook Showcase 2024ApertureBelfast Photography Festival, June 5 - June 30, 2025
BooooooomBooooooomBritish Journal of Photography
Contemporary Archive ProjectContemporary And
 Creative Review
Foam Talent 2024-2025, Foam Fotografiemuseum, Amsterdam, February 23 - May 22, 2024
Foam Talent 2024-2025 Online Exhibition
Format25 International Photography Festival, Museum of Making, Derby, UK, March 13 - May 31, 2025

Lemkus Gallery Solo Exhibition, February 15th – April 12th, 2025PhotoworksThe Story EditorialTender Photo



















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&#60;img width="994" height="1500" width_o="994" height_o="1500" data-src="https://freight.cargo.site/t/original/i/07d2c341e0eb0169e1deae9b83fec5cd3792b073a4b347c2f92094bf7b1e56ec/Mabitla-A-Batho-Ba-Tsoang-Boroa--2019.JPG" data-mid="223171837" border="0" alt="Mabitla A Batho Ba Tsoang Boroa, 2019" data-caption="Mabitla A Batho Ba Tsoang Boroa, 2019" src="https://freight.cargo.site/w/994/i/07d2c341e0eb0169e1deae9b83fec5cd3792b073a4b347c2f92094bf7b1e56ec/Mabitla-A-Batho-Ba-Tsoang-Boroa--2019.JPG" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/7da3972eb1513b161bcffe571742e8377b29ff8843dbb86626f79b2ad403efe5/Kereke-II--2022.JPG" data-mid="223171611" border="0" alt="Kereke II, 2022" data-caption="Kereke II, 2022" src="https://freight.cargo.site/w/1000/i/7da3972eb1513b161bcffe571742e8377b29ff8843dbb86626f79b2ad403efe5/Kereke-II--2022.JPG" /&#62;
&#60;img width="1500" height="981" width_o="1500" height_o="981" data-src="https://freight.cargo.site/t/original/i/f23f3ff83f055402d2c2421fc669f5b16bf349121cc66ed2c271e183f306d760/Kereke--2019.JPG" data-mid="223171612" border="0" alt="Kereke, 2019" data-caption="Kereke, 2019" src="https://freight.cargo.site/w/1000/i/f23f3ff83f055402d2c2421fc669f5b16bf349121cc66ed2c271e183f306d760/Kereke--2019.JPG" /&#62;
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Request Catalog





</description>
		
	</item>
		
		
	<item>
		<title>Music from My Good Eye</title>
				
		<link>https://theromakepe.com/Music-from-My-Good-Eye</link>

		<pubDate>Wed, 15 Sep 2021 13:46:31 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

		<guid isPermaLink="true">https://theromakepe.com/Music-from-My-Good-Eye</guid>

		<description>

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	Music from My Good Eye (2019) Book

This body of work is inspired by my grandfather, Hippolytus Mothopeng, who was a jazz musician performing in the 1960s and 1970s in Botswana after going into exile to escape apartheid South Africa in 1958. Significantly, by the time I was born in 1996, my grandfather had gone blind and he never physically saw me, but we shared a strong bond until he passed away in 2012. One of my grandfather’s dying wishes, was for one of his offspring to become a musician, which unfortunately never came to fruition. However, in my practice, I have aimed to create a sort of visual album in the form of a book for my grandfather and my maternal family.Music from My Good Eye is a body of work which addresses the history of musicality and activism in my family lineage. More than that, it is a visual and spiritual conversation between myself and my ancestors that communicates gratitude and empathy. Using various photographic languages, I have attempted to construct a non-linear narrative that shows my maternal family’s lasting kindredship despite all the effects of politics, resistance, history, migration, loss and separation they have endured for over more than half a century. I would like for the viewer or audience to also take away a sense of hope, celebration and triumphant accomplishment, despite all these adversities.
	Articles &#38;amp; Interviews :
GIDA Journal Vol. IIIBlurring the Lines 2020



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		<title>Music from My Good Eye Info</title>
				
		<link>https://theromakepe.com/Music-from-My-Good-Eye-Info</link>

		<pubDate>Wed, 15 Sep 2021 14:39:12 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

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		<description>Music from My Good Eye (2019)&#38;nbsp;


 Info / Book / Installation
This body of work is inspired by my grandfather, Hippolytus Mothopeng, who was a jazz musician performing in the 1960s and 1970s in Botswana after going into exile to escape apartheid South Africa in 1958. Significantly, by the time I was born in 1996, my grandfather had gone blind and he never physically saw me, but we shared a strong bond until he passed away in 2012. One of my grandfather’s dying wishes, was for one of his offspring to become a musician, which unfortunately never came to fruition. However, in my practice, I have aimed to create a sort of visual album in the form of a book for my grandfather and my maternal family.Music from My Good Eye is a body of work which addresses the history of musicality and activism in my family lineage. More than that, it is a visual and spiritual conversation between myself and my ancestors that communicates gratitude and empathy. Using various photographic languages, I have attempted to construct a non-linear narrative that shows my maternal family’s lasting kindredship despite all the effects of politics, resistance, history, migration, loss and separation they have endured for over more than half a century. I would like for the viewer or audience to also take away a sense of hope, celebration and triumphant accomplishment, despite all these adversities. </description>
		
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		<title>Music from My Good Eye Book</title>
				
		<link>https://theromakepe.com/Music-from-My-Good-Eye-Book</link>

		<pubDate>Wed, 15 Sep 2021 14:41:40 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

		<guid isPermaLink="true">https://theromakepe.com/Music-from-My-Good-Eye-Book</guid>

		<description>Music from My Good Eye (2019)
98 pages, Hardback, Linen Cover, Smooth Art Paper27 x 21 cmEnglish 2019

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		<title>Fly Machine/Mogaka</title>
				
		<link>https://theromakepe.com/Fly-Machine-Mogaka</link>

		<pubDate>Wed, 15 Sep 2021 13:46:32 +0000</pubDate>

		<dc:creator>Thero Makepe</dc:creator>

		<guid isPermaLink="true">https://theromakepe.com/Fly-Machine-Mogaka</guid>

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	Fly Machine/Mogaka (2018)
Book / Sound Art / Installation
On the 27th of April 2018, Major Cliff Manyuni, a Botswana Defence Force (BDF) pilot, met his untimely death during a BDF Day rehearsal after steering a stricken fighter jet away from highly populated areas in Gaborone, thus saving many lives in the process.Although BDF protocol and public affairs officials declined interviews on the tragedy that preceded the annual army celebrations in 2018, his friends, colleagues and Batswana at large hailed the deceased, Major Cliff Manyuni, as a hero across all social media platforms.The photography I employed in this book consists of photos of a diorama that I carefully constructed and pictures from inside a large camera obscura where I manipulated light. Additionally, I used site-specific photographs in relation to the exact locations where the pilot began to lose control of his aircraft and where he ultimately lost his life.Fly machine is a colloquial phrase used by Batswana to describe any object of aviation, be it a jet, plane or helicopter. Mogaka is a Setswana translation of the word hero. In recent years, there have been conflicting reports on what the true cause of this tragic event was – the man or the machine.In this body of work, I aimed to explore the grey area between collective and personal memory and reality and imagination. Upon hearing this tragic news, I was immediately struck with a harsh reminder of my mortality and how quickly life can diminish. This book serves as a memorial and tribute to a man who sacrificed his life in a moment that required lightning-quick decision-making. In the practice of creating a book, I would like to slow time down to allow the viewer to ponder and appreciate the ultimate sacrifice made by this person for the greater good of his people.
	Interviews, Articles and Exhibitions:
Der Greif X MPB: Behind the Image with Thero Makepe
Tombe Magazine

Stevenson Gallery

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